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TZID:Europe/Moscow
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DTSTART:20250101T000000
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DTSTART;TZID=Europe/Moscow:20251117T190000
DTEND;TZID=Europe/Moscow:20251117T190000
DTSTAMP:20261025T202234
CREATED:20261014T191506Z
LAST-MODIFIED:20261014T191506Z
UID:3959-1763406000-1763406000@studionewmusic.ru
SUMMARY:They Did Not Like Each Other
DESCRIPTION:Concert for the 130th anniversary of the birth of Paul Hindemith \nBy the beginning of the twentieth century\, with the end of the Romantic era\, the three-century reign of classical harmony had also come to an end. Seeking to free themselves from the weight of nineteenth-century clichés\, artists of different individualities embarked on new searches\, taking as their stimulus the art and traditions of pre-Romantic eras. \nIn that pivotal century\, an awareness of the crisis of European music and attempts to find a way out of it brought together three innovative composers: Paul Hindemith\, to whom the anniversary concert is dedicated\, Igor Stravinsky and Arnold Schoenberg. Despite this shared aspiration\, their relationships were complex and contradictory\, shaped not only by sharp aesthetic struggle but at times by personal rivalry. \nHindemith believed that the cause of the crisis lay not in the sphere of compositional technique but deeper\, in the realm of ethics; it could therefore be overcome only through moral self-improvement. Hindemith sought a philosophical foundation in the music of the past\, in particular that of the Middle Ages. And\, like the medieval masters\, he himself demonstrated in his art the unity of the craft\, the technical and the creative\, the fusion of “supreme creative power and supreme spiritual humility”. \nStravinsky overcame the crisis by passing the heritage of the past through his own consciousness and building a distinctive dialogue with it. With a gambler’s zest he selected and combined materials\, took on technical problems\, juxtaposed styles and imitated them. \nBut perhaps the most radical task was set by the head of the New Viennese School\, Arnold Schoenberg\, who\, on the basis of the experience of the past\, created a new system of musical thinking — dodecaphony — which many perceived as a break with tradition\, as a negation of the entire preceding musical heritage. \nProgramme: \n  \nPaul Hindemith \nKammermusik No. 1\nKleine Kammermusik for wind quintet (1922)\n \nIgor Stravinsky \n“Jeu de cartes” \nArnold Schoenberg \nFive Pieces for Orchestra\, Op. 16 \n
URL:https://studionewmusic.ru/en/event/they-did-not-like-each-other/
LOCATION:Rachmaninoff Hall of the Moscow Conservatory\, 13/6 Bolshaya Nikitskaya St.\, Moscow\, 125009\, Russia
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://studionewmusic.ru/wp-content/uploads/2025/11/2327.jpg
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