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DTSTART:20230101T000000
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DTSTART;TZID=Europe/Moscow:20230328T110000
DTEND;TZID=Europe/Moscow:20230328T190000
DTSTAMP:20261020T034058
CREATED:20261014T154318Z
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SUMMARY:THE FOUR TIMES OF GYÖRGY LIGETI
DESCRIPTION:Conference Hall of the Moscow Conservatory\nAcademic conference marking the composer’s centenary\n\n\n\n\nProgramme: \n\nOpening of the conference\nChair: Prof. M. S. Vysotskaya\nKonstantin Vladimirovich Zenkin\nDoctor of Arts\, Vice-Rector for Research\, Professor of the Department of the History of Western Music\, Tchaikovsky Moscow State Conservatory\nWelcoming address to the conference participants \n11:00\nTatiana Vladimirovna Tsaregradskaya\nDoctor of Arts\, Professor of the Department of Analytical Musicology\, Head of the Department of International Relations and Creative Projects\, Gnessin Russian Academy of Music; Professor of the Department of Contemporary Music\, Tchaikovsky Moscow State Conservatory\nLigeti and Hofstadter \n11:30\nFederico Favali\nComposer\, musicologist (Italy)\nBeyond the Clouds: On Certain Affinities between the Ideas of Karl Popper and the Music of György Ligeti (online) \n12:00\nAnna Amrakhovna Amrakhova\nDoctor of Arts\, Head of the Research and Analysis Department\, Tchaikovsky Moscow State Conservatory; Associate Professor of the Department of Music Theory\, Glinka Nizhny Novgorod State Conservatory\nThe Problem of Valency in the Aesthetics and Poetics of G. Ligeti \n12:30\nYulia Nikolaevna Panteleeva\nPhD in Arts\, Associate Professor of the Department of Music Theory\, Head of the Research and Creative Centre for Contemporary Music\, Gnessin Russian Academy of Music\nOn G. Ligeti’s Compositional Terminology \n13:00\nOlga Sergeevna Alyushina\nPhD in Arts\, Head of the Academic Office of the Dean’s Office for International Students\, Deputy Dean\, Lecturer of the Department of Composition\, Tchaikovsky Moscow State Conservatory\nTwo Channels of One River: György Ligeti and György Kurtág (On Two Conceptions of Authorial Style in National and Pan-European Contexts) \n13.30\nMarina Rossi\nPhD Candidate in Musicology\, University of Trento (Università degli Studi di Trento\, Italy)\nLonging\, Passion and Play: Ligeti’s Early Compositions for Women’s Choir (online) \n14:00\nAnna Gennadievna Solodovnikova\nResearch Fellow\, State Institute for Art Studies\nGyörgy Ligeti’s “Hungarian Etudes”: A Return to the Past or an Experiment? \n14:30 – 15:00 ― break \n15:00\nMarianna Sergeevna Vysotskaya\nDoctor of Arts\, Professor\, Head of the Department of Contemporary Music\, Tchaikovsky Moscow State Conservatory\nGyörgy Ligeti’s “Wrong Path” \n15:30\nYulia Sergeevna Veksler\nDoctor of Arts\, Professor of the Department of Music History\, Glinka Nizhny Novgorod State Conservatory\nGyörgy Ligeti and Dadaism \n16:00\nElena Sergeevna Andreeva\nPhD in Arts\, Senior Lecturer of the Department of Music History\,\nSobinov Saratov State Conservatory\nA Danse Macabre in the Spirit of the “Eroica”: Metamorphoses of a Beethoven Theme in Ligeti’s Opera “Le Grand Macabre” \n16:30\nYulia Volfovna Kreinina\nPhD in Arts\, Professor of the Department of Musicology\, The Hebrew University of Jerusalem (Israel)\n“Capturing the Process”: From Calder’s Mobiles to the Mobiles of Ligeti and Lutosławski (online) \n17:00\nEkaterina Guryevna Okuneva\nDoctor of Arts\, Professor of the Department of Music Theory and Composition\,\nGlazunov Petrozavodsk State Conservatory\nCluster Technique – Field Technique – Micropolyphony: G. Ligeti’s Compositional Innovations in Foreign Theoretical Thought (Based on the Research of E. Salmenhaara) (online) \n17:30\nIrina Vladimirovna Koposova\nPhD in Arts\, Associate Professor\, Head of the Department of Music Theory and Composition\, Glazunov Petrozavodsk State Conservatory\nPer Henrik Nordgren’s Technique of the Melodic-Polyphonic Cluster: In Dialogue with Ligeti (online) \n18:00\nLyudmila Viktorovna Leipson\nPhD in Arts\, Head of the Music Analysis Section for Eurythmy Teachers\, teacher at the Free Waldorf School of Flensburg (Freie Waldorfschule Flensburg\, Germany)\nLigeti – “the Father of Microtonality”? (online) \n\n\n\n\n\n\n\n2023 marks the centenary of the birth of one of the most brilliant creators of New Music\, the composer György Ligeti. His intellectualism\, sense of the contemporary\, humour and consummate compositional craftsmanship still astonish professionals and music lovers alike. A brilliant master of writing and sonic inventiveness\, Ligeti constantly renewed his musical language\, which is reflected in the way he himself graphically represented his work. \nThe conference is devoted to every aspect of Ligeti’s inexhaustibly multifaceted personality: his work as a composer\, his music-analytical activity and his achievements as a teacher. \nMain topics of the conference: \nthe structural foundations of Ligeti’s works and his compositional technique;\nLigeti as musicologist;\nLigeti’s music theatre;\nLigeti’s orchestra;\nintertextual tendencies in Ligeti’s work;\nLigeti as teacher;\nLigeti and the music of the 1970s–1980s. \nVenue of the conference: Tchaikovsky Moscow State Conservatory (Moscow\, 13/6 Bolshaya Nikitskaya Street). \n\n\n\n\n
URL:https://studionewmusic.ru/en/event/the-four-times-of-gyorgy-ligeti/
LOCATION:Conference Hall of the Moscow Conservatory\, 13/6 Bolshaya Nikitskaya St.\, Moscow\, Russia
CATEGORIES:Conferences
ATTACH;FMTTYPE=image/jpeg:https://studionewmusic.ru/wp-content/uploads/2024/03/1147.jpg
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