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X-WR-CALNAME:Studio for New Music
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X-WR-CALDESC:Events for Studio for New Music
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TZID:Europe/Moscow
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TZOFFSETFROM:+0300
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DTSTART:20230101T000000
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BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20231122T190000
DTEND;TZID=Europe/Moscow:20231122T210000
DTSTAMP:20261026T103647
CREATED:20261014T191511Z
LAST-MODIFIED:20261014T191511Z
UID:3962-1700679600-1700686800@studionewmusic.ru
SUMMARY:Concert at the “Five Evenings” Festival
DESCRIPTION:Small Hall of Zaryadye\n\nA concert at the “Five Evenings” festival\nProgramme: E. Bril\, A. Kuzmina\, A. Pospelova\, N. Prokopenko\, Yu. Kasparov\, V. Gorlinsky\n\n\n\n\nProgramme: \n\n\nEvgenia Bril\nBubbles (2014) for piano quintet \nAnna Pospelova\nEstus sensence (2023) for voice and piano\n\nAnna Kuzmina\nSuite of Mirrors (2013) for three singers\, clarinet and percussion \nNatalia Prokopenko\nChronoclasm III (2022) for ensemble (created within the creative programme of the Union of Composers of Russia “Notes and Quotas”) \nYuri Kasparov\nOpaque Void (2012) for flute and cello \nVladimir Gorlinsky\nLaughing Gas (2021) for ensemble \n\n\n\nPerformers: \n\nStudio for New Music soloists ensemble \n\n\n\n\n\n\n\n What do “Opaque Void”\, “Song of the Wind” or “Laughing Gas” sound like? The titles of contemporary musical compositions can make us smile\, intrigue us\, even irritate us. Sometimes a programmatic title hides a conceptual idea or the semantic core of the piece being played\, and sometimes it is merely a poetic association. The first concert of the Union of Composers’ festival “Five Evenings” will feature nine contemporary scores that invite listeners to embark on an unusual sonic journey. \n\n\n\n\n
URL:https://studionewmusic.ru/en/event/concert-at-the-five-evenings-festival/
LOCATION:Zaryadye Small Hall\, 6 bld. 4\, Varvarka St.\, Moscow\, Russia
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://studionewmusic.ru/wp-content/uploads/2023/11/255.jpg
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