BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Studio for New Music - ECPv4.9.14//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Studio for New Music
X-ORIGINAL-URL:https://studionewmusic.ru
X-WR-CALDESC:Events for Studio for New Music
BEGIN:VTIMEZONE
TZID:Europe/Moscow
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0300
TZNAME:MSK
DTSTART:20250101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251014
DTEND;VALUE=DATE:20251016
DTSTAMP:20261020T025052
CREATED:20261014T191544Z
LAST-MODIFIED:20261014T191544Z
UID:4002-1760400000-1760572799@studionewmusic.ru
SUMMARY:Boulez\, Berio and Musical Culture between 1925 and 2025: From Structuralism to Postmodernism
DESCRIPTION:DEPARTMENT OF CONTEMPORARY MUSIC \nSCIENTIFIC AND CREATIVE CENTRE FOR CONTEMPORARY MUSIC \nOF THE MOSCOW CONSERVATORY\nannounce an academic conference \n“Boulez\, Berio and Musical Culture between 1925 and 2025: From Structuralism to Postmodernism” \nThe conference will take place in the Conference Hall of the Tchaikovsky Moscow State Conservatory\n(Moscow\, B. Nikitskaya St.\, 13/6) on 15‒16 October 2025. \n1925 was the year of birth of two composers whose work had an enormous influence on the world of musical culture: Pierre Boulez (1925‒2016) and Luciano\nBerio (1925‒2003).\nEach of them left a mark that changed the musical world and the musical community in all its branches ― composers\,\nperformers\, researchers\, listeners.\nEach of them brought together in his work a whole “bouquet” of professions: both\nP. Boulez and L. Berio made a significant contribution to the art of musical\ncomposition\, musicology and the philosophy of music (we may mention here “Thinking Music Today”\, other articles and lectures\, as well as the last work\, “Music Lessons”\, by P. Boulez;\nthe numerous articles by L. Berio and his book “Remembering the Future”\, compiled from his\nHarvard lectures)\, and to the philosophy and aesthetics of contemporary art in general.\nA remarkable fact of Boulez’s career was the founding of IRCAM\, an institution without which it is impossible today to imagine the work of the professional\nacademic composing community.\nAll these materials and facts remain relevant both for musicians\nand for art historians of a broader profile\, since both Boulez and Berio ― each in his own way\n― “reformatted” not only the musical environment but also the intellectual\nreality of the last century\, the consequences of which we continue to observe today.\nThe work of Boulez and Berio\, as well as of the musicians of their circle ― philosophers and\ncultural theorists closely connected with these outstanding thinkers and musicians ―\ntheir music and theoretical writings\, performance and other fields of activity ― all\nthis is meant to become the focal points of discussion at the forthcoming conference.\nThematic areas include: \n\nP. Boulez ― composer: aesthetics\, poetics\, stylistics of different periods of his work\nL. Berio: poetics and stylistics of instrumental compositions\nThe theatre of L. Berio\nP. Boulez ― conductor and organiser (the work of the Ensemble Intercontemporain;\nBoulez and the classical orchestral repertoire)\nThe work of IRCAM and the role of this institution in contemporary culture\nBoulez as a theorist of musical art\nBerio and his contribution to the intellectual history of music\nContemporary research on the work of P. Boulez and L. Berio\n\nMusicians\, musicologists\, philosophers and cultural theorists\nare invited to take part in the conference \nREGULATIONS \nThe expected length of presentations: in the plenary session\n— 30 minutes\, in the section session — 20 minutes\, discussion of the paper — 10 minutes.\nThe working languages of the conference are Russian and English.\nParticipation in the conference is free of charge; no registration fee is charged to participants.\nTravel and accommodation expenses are not covered. A personal invitation\nto the conference is sent on request.\nA hotel room can be reserved (this must be indicated in the Application).\nHotel accommodation is allocated by decision of the organising committee (owing to the limited\nnumber of places). \nApplications to participate in the conference must be sent by 15 September 2025 to\ninfo@ccmm.ru.\nApplication form: \nApplication form: \n\n\n\nFull name\n\n\n\nAcademic degree (if any)\n\n\n\nAcademic title (if any)\n\n\n\nPlace of work or study (in full\, with abbreviations\, following the model: Tchaikovsky Moscow State Conservatory\, a federal state budgetary educational institution of higher education)\n\n\n\nPosition\n\n\n\nTitle of the paper (in Russian or English)\n\n\n\nKeywords (in Russian or English\, 5 to 7 words)\n\n\n\nAbstract (in Russian or English\, 250-300 words in each case)\n\n\n\nForm of participation (in person or online)\n\n\n\nTechnical equipment required for the presentation\n\n\n\n\nThe organising committee reserves the right to select papers on a competitive basis.\nPresenters have the opportunity to publish their materials in one of the academic\njournals recommended by the Higher Attestation Commission (VAK): \n\n“Scientific Bulletin of the Moscow Conservatory”\n“Journal of the Society for Music Theory”\n“Musical Art of Eurasia. Tradition and Modernity”\n\n\nCONFERENCE SCHEDULE \n14 October\, Tuesday\n11:00-18:00\nConference Hall\nChair ― Prof. Marianna Sergeevna Vysotskaya \n11:00 | Opening of the conference\nKonstantin Vladimirovich Zenkin\nDoctor of Art History\, Professor\,\nVice-Rector for Research\nat the Tchaikovsky Moscow State Conservatory\nWELCOME ADDRESS TO THE CONFERENCE PARTICIPANTS\nYulia Nikolaevna Panteleeva\nCandidate of Art History\, Associate Professor of the Department of Music Theory\,\nHead of the Scientific and Creative Centre for Contemporary Music of the Gnessin Russian Academy of Music\nPIERRE BOULEZ: THE COMPOSER’S WORD \n12:00\nMarianna Sergeevna Vysotskaya\nDoctor of Art History\, Professor\,\nHead of the Department of Contemporary Music\nat the Tchaikovsky Moscow State Conservatory\nON THE WAY TO THE “FERTILE COUNTRY”: BOULEZ ANALYSES KLEE \n12:30 | Online\nSvetlana Vitalievna Lavrova\nDoctor of Art History\, Vice-Rector for Research and Development\nat the Vaganova Academy of Russian Ballet\nTHE MUSIC OF SPEECH AND THE DIFFICULTIES OF TRANSLATION IN MUSICAL COMPOSITION OF THE 21ST\nCENTURY \n13:00\nAlexander Gennadievich Perov\nComposer\, graduate of the assistant-trainee programme\nat the Tchaikovsky Moscow State Conservatory\nTESTING THE POSSIBILITIES: ARTISTIC CONCEPT AND\nITS REALISATION IN L. BERIO’S SEQUENZA XI FOR GUITAR \n13:30 – 14:30 ― break \n14:30\nNadezhda Alekseevna Travina\nAssistant to the Rector\, lecturer at the Department of Contemporary Music\nat the Tchaikovsky Moscow State Conservatory \nL. BERIO’S PIECE “A-RONNE” AS A CHARACTERISTIC EXAMPLE OF HIS MUSICAL\nPHONOLOGY \n15:00\nSofia Alexandrovna Devutskaya\nPostgraduate student at the Gnessin Russian Academy of Music\nP. BOULEZ’S “ANTHÈMES I” FOR SOLO VIOLIN: ON THE QUESTION OF VIRTUOSITY \n15:30\nSvetlana Ilyinichna Savenko\nDoctor of Art History\, Professor at the Department of Contemporary Music\nat the Tchaikovsky Moscow State Conservatory\nLUCIANO BERIO AS A GUEST OF SALVATORE SCIARRINO \n16:00\nTatiana Vladimirovna Tsaregradskaya\nDoctor of Art History\, Professor at the Department of Contemporary Music\nat the Tchaikovsky Moscow State Conservatory\nBERIO AND HIS WORK “ECPHRASIS”: IN THE LABYRINTH OF MEANINGS \n16:30\nScreening of the documentary film by F. Schäffer “Voyage to Cythera” (1999)\nIn the course of a conversation about the Sinfonia – a kind of homage to Gustav Mahler – Berio\ninvites us on a journey through the pages of music history: “For me\, Mahler is a\nship cutting through the waves of the ocean\, loaded with beautiful things\, populated by\nremarkable people… it is\, in its way\, a journey to Cythera. I decided to set out on a\nmusical journey\, accompanied by various elements of the art of music\, famous and not so\nfamous.” \n
URL:https://studionewmusic.ru/en/event/boulez-berio-and-musical-culture-between-1925-and-2025-from-structuralism-to-postmodernism/
LOCATION:Conference Hall of the Moscow Conservatory\, 13/6 Bolshaya Nikitskaya St.\, Moscow\, Russia
CATEGORIES:Conferences
ATTACH;FMTTYPE=image/jpeg:https://studionewmusic.ru/wp-content/uploads/2025/02/1957.jpg
END:VEVENT
END:VCALENDAR